Considering Drawing and Experiencing Architecture by Marianna Charitonidou, its content implicitly suggests the following two reasons for the topicality of drawing for contemporary architecture. First, since L. B. Alberti’s theorization of designo (design), the two-dimensionality of drawings and the fact that it is smaller than the building has made architects to think their identity through proper notations. Second, because of the dissemination of digital techniques of representation architects and historians – including this reviewer – have felt the necessity to address the subject.1
